Home  
Make Money NOW !!!    
Contact Nan    
About Nan    
Nan's Favorite Links    
Nan's EF Gazette    
Clark's Elioak Farm    
CEF What's New?    
Return EF Artifacts    
CEF Restoration    
CEF Sponsors    
CEF Volunteers    
Give CEF Money    
Give CEF Supplies    
Lend CEF Equipment    
Enchanted Forest    
EF History    
EF Rumors    
EF Famous Visitors    
EF Attraction Museum  
EF Souvenir Museum    
Share EF Movies    
Share EF Photos    
Share EF Memories    
   

The Evolution of "The Chicken Little Trio" Show

My name is Edward Hilbert, … and practically this is as much I could say in English, when my wife and I had arrived to Baltimore in early 1957.

Adler Display Studio just made the finishing touches on the displays for Enchanted Forest. With my luck, I had been introduced to Mr. Adler at the right time. He needed a sculptor, I needed a job and we mad a deal. Dollar per Hour before taxes. I had my chance to work on two guys, who was seated in the “Tub” and floated near the Blue Whale. When we installed them, I meet Mr. Harrison and his sons.

In 1959, I founded Unique Design Inc. Roughly one year later, Mr. Harrison called me and asked to see him about some display ideas. When I get there, we seated in a small boat, and because the water channel wasn’t operated, we pushed our boat through a large, pitch-dark area under a manmade mountain. He pointed out 4 large caves and asked me to design some scenes for them with some human figures on a story line of Ali Baba and a Forty Thieves.

I made some sketches, some detailed renderings and within two weeks, I went back to show my proposal. The ideas were approved and I got the order to build it.

The Ali Baba Ride was a success and my future direction in my business was changed too. With this new line, Enchanted Forest put me into the Amusement Industry.

Soon, I started to create animated figures for Wax Museums and for Amusement Parks. These animated characters were operated by compressed air, and they were controlled by our own, home built computers. (That time, it wasn’t any commercially available PC on the market.) We built ours, entirely from scratch. The were large, awkward, but … they were dependable and they did the job.

In 1980, Mr. Harrison called me again and asked me to think about an animated stage show for Enchanted Forest. I got together with David DeBoy, and Brent Hardesty and we started to write a musical show. This was an other ... first, for me. Not long after, we presented our conception of the “Enchanted Days” Musical show. The design was accepted and we were ready to start to work on it when the Superintendent of Enchanted Forest died. This tragic event stopped everything. Without him, Mr. Harrison hesitated to go into this large project.

I was frustrated too. I had so much time invested into this project; I just didn’t want to stop with it. I made a special promise to Mr. Harrison and I gave him my personal guarantee. I promised to him, this show will be operating flawlessly and will be kept in perfect condition.

I must have a trustworthy face, because he gave me the go ahead for the production … and a check for a deposit.

We started to create the animated characters in my studio and Enchanted Forest started to build the stage and the auditorium based on my blueprints. Few months passed by and we set up Giggle-Achi, Buck Berry and Chicken Little on our own test stage in our shop and started to “Program” their motions. Everything worked, as it should be. The stage at Enchanted Forest was ready for us too.

Took us a few days until all three stars were placed on the right location and their wires and air hoses were connected. We set and checked out all spotlights and speakers. We made sure, the stage curtain moved with the correct speed … and open and close, when it should. We double-checked the “Applause” sign to, because we wanted it to light up only, when it supposed to. Than we had to make the final programming, for all moving parts. It took us a whole day to doe, because we want everything to be perfect.

It was about 10 PM when we started with the demonstration. The Harrisons and a few park employees seated in their chairs and anxiously waited to see and hear our presentation. Our little show worked exactly as it should.

…. And it worked for a long time after this day. The success of this show placed my Company and me on the map. We created animated stage productions for different Theme Parks from Long Island, NY. To Long Beach, California.

Than the tragic fire happened, and ended the life of our show too. The fire hit me personally. It was frustrating because this was my “First Animated Show”. Luckily, I made a video recording before the fire and I still have and treasuring that tape.
 

 

© 2006 Nan Sherman
P.O. Box 435, Finksburg, Maryland 21048
nan@nanalee.com